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The making of manuscripts - Detail of an historiated initial ‘C’(olor), of an artist mixing colours, from James le Palmer’s Omne Bonum, England (London), c. 1360 - c. 1375, Royal 6 E. vi, f. 396

The making of manuscripts - Detail of an historiated initial ‘C’(olor), of an artist mixing colours, from James le Palmer’s Omne Bonum, England (London), c. 1360 - c. 1375, Royal 6 E. vi, f. 396

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